
“The course is very friendly and engaging. Any and all questions will be asked with no hesitation or frustration, and it helps everyone else in the class that might have the same question in mind.”
Ryan Conway
It is the recording and mixing studio standard - the DAW an engineer hands you. Learning it properly opens every studio door.
Yes. The Pro Tools Course can be taught one-to-one, in person in Barcelona or online, built around your own projects - ask admissions about private instruction.
The Pro Tools Course runs 36 hours. Tuition at Garnish Barcelona: 36 Hours - In-Person: €1299 + €100 Registration fee - Online Remote Attendance: €803.
Yes. The Pro Tools Course runs in person at Garnish Barcelona and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
Yes. Every element is covered in detail, with practical real-world tips throughout that most people learning alone never meet.
No. The production and engineering skills apply to any music; the course is built for whatever you work on.
36 Hours | In-Person: €1299 + €100 Registration fee | Online Remote Attendance: €803
How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →by Katie Gilchrest Understanding how microphones “hear” is the first step in learning how to mic instruments properly. The directionality of a microphone is commonly explained as a polar pattern, and microphone use in the studio, as well as live settings vary based on each one. Understanding microph
Read →Subgrouping a mix, using reference tracks properly, and keeping your monitoring level honest over a long session.
Read →Gain structure, why faders belong near unity, and how side-chain routing works - the plumbing that everything else in a mix sits on.
Read →As early as 2010, if you wanted to put together an album you were pretty much forced to shell out cash to a local recording studio. Or, even worse, you pretty much needed a record deal with a label of some sort.
Read →