
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
In Barcelona the Post Production - Mixing and Sound Design for Film and TV runs as a small in-person class at our studio, taught in English by producers active in the city's electronic music scene, with the option to attend live online, using our specialist music collaboration software, Muse. Students join us from across Spain and the rest of Europe.
“Lots of one on one, great break down, wonderful teacher. Awesome staff..I cant wait to take a production course to advance what I have learned in this class. Very positive, super supportive. I'm so happy I decided to cont. with my education..201 made everything gel in my brain from the first class especially when I started playing out. It all made sense.”
Bee Cregar
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
Yes. The Post Production - Mixing and Sound Design for Film and TV course can be taught one-to-one, in person in Barcelona or online, built around your own projects - ask admissions about private instruction.
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
The Post Production - Mixing and Sound Design for Film and TV course runs 36 hours. Tuition at Garnish Barcelona: 36 Hours - $1099 + $100 Registration.
36 Hours | $1099 + $100 Registration
Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Some of you may be aware that the primary use for a gate is to reduce noise and any unwanted signal that is present in your recordings. For example you…
Read →Mid is what the two channels share, side is what they do not. Splitting a mix that way lets you treat the centre and the edges separately - and it is the most common professional move that never appears in a beginner's mix.
Read →