FL Studio on screen: the Playlist arranged with drum, bass and synth clips, the Channel Rack open on a Loop Starter genre list, and automation lanes for Waveshaper, Vocodex, Delay and Reverb
Course — Barcelona

FL Course | Barcelona

At a glance
Duration
36 hours
Format
In-person in Barcelona or Live Online
Deep, not broad
Every major element covered in detail, with real-world technique throughout
You leave with
Beats built, sound shaped, tracks finished
Already making tracks?
Structured training that experienced FL users still take something from

FL Studio Course

Build Beats. Shape Sound. Finish Tracks.

FL Studio has become a go-to DAW for electronic music producers and beat-makers around the world—but whatever your genre, if FL is your weapon of choice, and you want your name on this list of notable users, this course will give you the tools and confidence to have the best chance.

In Barcelona the FL Course runs as a small in-person class at our studio, taught in English by producers active in the city's electronic music scene, with the option to attend live online, using our specialist music collaboration software, Muse. Students join us from across Spain and the rest of Europe.

Whether you're a complete beginner or already making tracks in FL, this 36-hour course delivers deep, structured training in music production, beat-making, and engineering. We cover every major element in detail, packed with real-world tips and techniques that even experienced users find game-changing. You’ll leave with a solid workflow, polished production skills, and a competitive edge over anyone stuck in YouTube rabbit holes.

Classes are live and interactive—in-person or live online—so you can ask questions and get feedback in the momentwhen you're inspired... or confused. It’s this kind of immediate, practical support that makes in-person learning so effective. Discover qualities that distinguish us, here.

Testimonials

In our students' words.

“The course is very friendly and engaging. Any and all questions will be asked with no hesitation or frustration, and it helps everyone else in the class that might have the same question in mind.”

Ryan Conway

Instructors

See more here

FAQs

Before you enrol.

Tuition

€1299 + €100 Registration if booked 14 days before start or €1499 + €200 Registration

Ready when you are.

Inquire
Why Garnish

Why train with us?

Side-by-Side OverviewGarnish BCNOthers
Real-time Feedback & Collaboration✓✕
Fully Equipped Pro Studios✓✕
Ableton & Apple Certified Training Center✓✕
Award Winning Instructors✓✕
Exclusive BCN Events & Master Classes✓✕
From the blog

Antares Autotune pitch correction software on Xfactor shows

Antares Autotune pitch correction software on Xfactor shows: I had a chap called Will Payne from the Sunday Mirror contact me and ask if I could spot any Antares Auto-tune pitch correction software on Susan Boyle's pre-recorded audition performance of 'I Dreamed a Dream' on Britain's Got Talent, whi

Read →

How to Compress Drums

The sound of modern drums in rock, pop, and electronic music very rarely embodies the natural range that acoustic drums are capable of. This is most often due to the application of compression, adding punchiness, energy and consistency to a drum track.

Read →

How To Improve Bass In Music

How To Improve Bass In Music Bass can be a very complicated part of your mix. Actually, we’d even go and say that the majority of home-producers or home-recorded work, don’t have a good low-end, which is really the basis (get it, bass-is?) for any mix. In this article, we look at how to improve bass

Read →

Which DAW is better – Logic, Pro Tools, FL, Ableton or Cubase?

When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A

Read →

Build a synthesizer | THINK, MAKE, PLAY | Max/MSP

Build a synthesizer | THINK, MAKE, PLAY | Max/MSP. article by Mr Steve Powell What’s the first thing you do when starting a new track or build a synthesizer on your computer? Fire up Logic or Max/MSP? Warm-up the TB808? Sit on top of a hill and hope musical inspiration hits you whilst pondering the

Read →

Camel Audio’s Alchemy, NI’s Absynth and Propellerhead’s Malstrom

Additive Synthesis: breaks sound down into its harmonics, creating timbre by adding sine waves together Granular Synthesis: creating sounds by playing waveforms and/or samples through a synthesis engine that operates like a sampler on the microsound time scale So, what can you achieve by running som

Read →